A clear brief.
A straightforward process.

A script or approximate word count, the audience, how the recording will be used and your deadline. For advertising, include the media, territories and duration of use. A rough brief is welcome if the project is still taking shape.

Yes. I offer a complimentary audition of up to 30 seconds for a project you are considering. Send a short excerpt, describe the delivery you have in mind and include a reference if it helps. An audition assesses the voice; a paid pilot for ongoing work is a separately agreed production used to test the episode format and workflow.

The amount of recording, the production requirements and the agreed usage. File splitting, additional voices, editing and a recurring schedule can also affect the scope. Published starting rates cover standard internal training. Other productions receive a tailored quote once we have clarified the brief. The script timer and planner can help prepare your enquiry.

Short projects are typically ready within 24–48 hours after the script is approved and the booking confirmed. For larger modules, audiobooks and series, we agree a schedule at the briefing stage. Tell me if there is a fixed launch date.

WAV, AIFF or MP3, matched to the agreed technical specification. Tell me about sample rate, bit depth, file naming and any required splits before recording.

Yes. We can arrange a live directed session and agree the connection and session time in advance. Tell me your preferred setup when you enquire.

Delivery is normally dry: the voice alone, ready for your producer to mix. If you need music, sound effects or a more complete production, include that in the brief so we can agree the scope.

I correct my own reading errors. For standard internal training, the fee also includes one consolidated minor delivery-adjustment round requested within seven days, covering up to 10% of the original script within the approved direction. Script rewrites, new direction and separately scheduled client-change pickups are additional work. Other productions follow the scope in your quote. See rates and included scope.

Yes. We can discuss a regular arrangement for a channel, training programme or recurring production. Where a project needs several voices, I work with trusted professional actors and coordinate through one point of contact.

Yes. My work includes compliance, finance, pharmaceutical and industrial training. My IT service-management background helps me understand specialist material; we agree any unfamiliar terminology or pronunciations before recording.

Yes. I work with 4K video, green screen and autocue for presenting and educational content. See the video and presenting selection, or describe what you need in your enquiry.